As a current master student at the Film University Babelsberg Konrad Wolf, I’ve come to realize that my previous bachelor’s studies in communication offered limited exposure to television studies.

As a first year MA student of media studies at Film University Babelsberg, I recently had the privilege of attending the ECREA Television Section Conference Redefining Televisuality: Programmes, Practices, Methods , October 25th to 27th in Potsdam, Germany. The conference invited researchers to critically engage and revisit the concept of Televisuality developed by John T. Caldwell.

The Institute for Multidisciplinary Research in Art (ICMA) and the Faculty of Visual Arts and Design at George Enescu National University of Arts (UNAGE) are pleased to invite submissions of articles for publication in the Beyond Biopolitics: Visual Digital Culture and the 21st Century Disruptive Events volume.

The Reckoning is the BBC’s examination of the life and criminality of broadcaster Jimmy Savile (played by Steve Coogan), which aired over the last fortnight on BBC1 (available on iPlayer). It is billed as a ‘Factual drama examining the crimes of Jimmy Savile, with testimony from survivors.’ and that is an accurate description, but its existence is puzzling. Who is it for and why was it made?

I sometimes feel like a bit of an imposter. As women working in academia, we probably all feel a little like this. With me, that feeling is also because being an academic is my second career; my first was as a programme maker for the BBC, something I loved doing for twenty years.

Like many people, I binge-watch horror films or movie franchises in the run-up to Halloween. With the release of Saw X this October , I decided to revisit the series’ nine predecessors that belong to the wave of ‘torture porn’ films popularised in the 2000s. While many franchises employ serial storytelling, I was struck by how Saw felt more like ‘TV’ than other horror series I’ve watched over the years. Fig.

The trope of aliens visiting Earth has been a science fiction staple since long before the Lumière Brothers first recorded and (re)played a train coming into a station. Aliens coming in peace and trying to hide in plain sight in contemporary (ish) society is slightly newer and can be used to great comedic effect.

WARNING: The following article contains the words “Who” and “Doctor”, but not necessarily in that order.

In person ONLY The American University of Rome 13-15 June 2024 The twenty-first century has witnessed a burgeoning of non-fiction filmmaking in Italy, facilitated in part by technological developments and in part by the desire to respond to rapidly shifting social realities and changes in the natural environment.

CFP: Media Values: The Velvet Light Trap, Issue 95 (to be published Spring 2025) Media industries utilize a number of different strategies to assign value to their commodities. Box office receipts have long been a benchmark of success for theatrical film releases, despite proliferating ancillary revenue streams. Audience ratings determined advertising dollars as the dominant form of evaluation in linear commercial television.