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The BBC’s reputation for impartiality and independence is one of the cornerstones of its value system, which also underpins its self-declared mission to “inform, educate, and entertain”. However, these values have constantly been redefined as several forms of censorship and self-censorship have been applied in the context of conflict with political or economic powers.

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Genre/Nostalgia 2021: An online film and television symposium on Wednesday 6 January 2021 Keynote speaker: Dr Kate Egan, Northumbria University: ‘Nostalgia for British Comedy’s Past: Monty Python, the 1960s and 1970s, and Fan Memories.’ Film and TV genres and nostalgia have long been intertwined. Fundamentally, both are rooted in the practice of creatively recycling and adapting modes of the past;

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Though ubiquitous across stage, page and screen, images of siblings remain an under-researched and under-discussed phenomenon. The relationships, rivalries, conflicts and collaborations between brothers and sisters are frequently overlooked, and yet offer the possibility for fascinating discussion and insight into a wide range of cultural texts.

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Jointly organized by the Faculty of Human Sciences (Universidade Católica Portuguesa), the Center for Media@Risk at the Annenberg School for Communication (University of Pennsylvania), the School of Journalism and Communication (Chinese University of Hong Kong), the Department of Media and Communications (London School of Economics and Political Science) and the Faculty of Social Sciences (University of Helsinki), the Second Lisbon Winter School

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Call for papers for free one day conference: Understanding the social in a digital age: An interdisciplinary conference on media, technology, and the social The pervasiveness of social media has led to both the rise and erasure of ‘the social’. The social is increasingly evasive, at once found everywhere and nowhere.

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REVISITING NOSTALGIA AND THE HYPERREAL A Symposium at Oxford Brookes University Saturday January 13th 2018 This one day symposium aims to re-examine the discourse, debates, and products of the hyperreal in the light of contemporary media culture’s nostalgic impulses.