I blogged last year for CSTonline about how shared conceptions of childhood facilitated links between television institutions and audiences across Europe, in case of the children’s documentary series If You Were Me (BBC 1971-75). This blog follows up with some examples of how networks of borrowing and collaboration around Europe underpinned children’s animation programmes from the 1960s to the 1980s.

The British pre-school children’s television programme Teletubbies was made by Ragdoll Productions for BBC and first screened from 1997-2001. To my delight it was announced at the end of September that the series will return later this year, now produced by DHX Media.

The TARDIS is one of Doctor Who ’s most distinctive iconographic components and it performs as a space for narrative action, as a vehicle, as an object within a setting, and as a place that is inhabited.  In this post I want to link together some ideas about how the TARDIS functions aesthetically, with ideas about how it enables and constrains the production of Doctor Who .