
Edward G Robinson’s gangster Johnny Rocco in Key Largo (John Huston, 1948) seems uncertain when asked by Humphrey Bogart and Lionel Barrymore’s sequestered characters what he wants. But after some prompting, he comes up with ‘That’s it. I want more.’ Mindless acquisitiveness matches his mendacity and violence. And that’s the story with the discreditable alliance between pro sports and the screen.