This blog post has first been published on Filmicon. Growing up as a child of first-generation Greek-Australian migrants had countless privileges. But being different from the dominant white demographic was something I did not look too favourably upon, at that time anyway.
I’ve spoken before that I am a HUGE fan of The Bridge and especially the character of Saga Noren. Last night, my adoration for the series went to a whole new level.
“The judgement of quality is always situated. That is to say, somebody makes the judgement from some aesthetic or political or moral position.” (Feuer, 2007: 145) This latest contribution to CST has been inspired by the viewing choices of most of my students, and their predilection for what has variously been described as popular television and mass entertainment.
It all started with Traumschiff (ZDF, since 1981). Traumschiff is the German version of Love Boat (CBS, 1977-1986). It is less humorous and more melodramatic, but there is an element of self-deprecation about it: the main stars engage in a lot of winking and eye-twinkling.
As we have reached the end of 2017, I thought it would be a good idea to do a recap on the programmes that were broadcast by Greek television, a detailed review of the typology and quality of the televised product that was “served” to the Greek audience. As I was thinking what kind of entertainment programmes, TV series, reality shows, talent shows etc.
MEDIA HISTORY FROM THE MARGINS CSF Summer Seminar at Monte Verità, Switzerland August 19-24, 2018 Co-organized by the Universities of Lausanne and Luxembourg, and USI Università della Svizzera Italiana Keynote Speakers Weihong Bao, University of Berkeley Jérôme Bourdon, University of Tel Aviv Lisa Parks, MIT Trevor Pinch, Cornell University The summer seminar aims to rethink media history from the margins and to place at the center of our
N.B. Before reading this blog it is worth stating that my cultish sensibilities frequently draw me to re-evaluate that which is targeted for scorn. During the summer recess period I became mildly obsessed with a television series.
Local television outlets are essential places for the development and dissemination of local content. However, if you’re in a market that is anything other than America, the capitalist side of the industry has long fought against this – with commercial broadcasters in particular looking at cheap and reliable imports rather than necessarily investing in local productions. Cue another repeat of The Big Bang Theory.
Poetics: Journal of Empirical Research on Culture, the Media and the Arts Guest editors: Simone Varriale (University of Warwick, UK), Noa Lavie (The Academic College of Tel-Aviv Yaffo, Israel) Globalization’s cultural effects have gained significant attention in the sociology of culture.
Co-organised by the Media Research Group of the Schools of Creative Arts and Humanities REGISTRATION NOW OPEN: http://store.herts.ac.uk/conferences-events/conferences-events/conferences/creative-arts/game-of-thrones-an-international-conference The University is in Hatfield, Hertfordshire, which 25 minutes, by train, from central London.
