Until no later than September 2020, all EU countries will have to apply at the level of local legislation, the principles and norms of the new version of the European Audiovisual Media Services Directive (AVMSD). Originally rolled out in 1989, and then named as “the television without frontiers directive”, the AVMSD is the key legal document defining the various pillars upon which the cross-border provision of audiovisual media services is built

The amateur boxing match between YouTube stars KSI (UK) and Logan Paul (USA) on August 25 could amass more than 20m views, if previous events are anything to go by. That’s more than watched the finals of the FA Cup, or Wimbledon. This is big news and big business.

Here’s the pitch. Game of Thrones meets Mad Max in a post-apocalyptic wilderness somewhere North of Adelaide where a giant panda is on a lonely quest to atone for his wrongs to humanity.

A ‘Billy Fluff’ is a moment in Doctor Who from 1963 to 1966 when William Hartnell, the lead actor playing the Doctor, ‘fluffs’ or blows one of his lines. Some are legendary, including ‘anti-radiation gloves’ and ‘cinders floating about in Spain’. But a collection of them on YouTube is only six minutes long.

In 2013, Carol Vernallis published a brilliant book called Unruly Media: YouTube, Music Video and the New Digital Cinema . In it, she eloquently describe the ‘media swirl’ which characterises the contemporary audiovisual landscape: characterised by heightened sonic and visual aesthetics in music and YouTube videos, these forms are impossible to sort into neat generic categories.

British television fans need no convincing of James Corden’s smiley, shiny, naughty wonderful. From host to writer to actor to bloody nice singer and dancer, he’s annoying good at many showbizzy things (plus, he seems just annoyingly nice generally). Gavin and Stacey was when I really got to know him.