Deadline Extended: 20 March 2018. Television is and always has been changing. The recent shifts, connected to new, online providers creating their own content and offering new forms of distribution, have led to some scholars (Jenners 2016) questioning if the age of TVIV has arrived.

Postgraduate Conference Cinema and Television History (CATH) Research Centre, De Montfort University, Leicester. Confirmed Keynote Speakers: Dr Laura Mee and Dr Johnny Walker The Cinema and Television History (CATH) Research Centre, De Montfort University, invites postgraduates and early career researchers to its seventh annual postgraduate conference.

I started my career studying and writing about television and children by watching my own children watch television and becoming very intrigued about the views of the world they were being shown in the preschool programmes they saw. I wasn’t alarmed or disapproving – just intrigued, also very entertained.

Call for Chapter Proposals Kids, Inc. to Andi Mack: The Disney Channel’s Tween Programming is a proposed interdisciplinary, multi-contributer volume examining the nature, history, and legacy of The Disney Channel’s programming for tweens from 1984 to present.

Over the last thirty odd-years, a growing number of film and TV productions have left the confines of Hollywood studios, either to benefit from interesting tax incentives or to find new scenery that can visually surprise audiences.

Transnationalism and Imperialism: New Perspectives on the Western Université Paul Valéry Montpellier 3 November 15-16, 2018 Études Montpelliéraines du Monde Anglophone (EMMA EA741), Project 4: Power Relations Marianne Kac-Vergne (CORPUS EA4295), Hervé Mayer (EMMA EA741) and David Roche (CAS EA801) Keynote speakers: Matthew Carter (University of Essex) and Andrew Patrick Nelson (Montana State University)

SCIENCE FICTIONS, POPULAR CULTURES devoted to cross-disciplinary, cross-genre, and cross-media scholarship SCIENCE FICTIONS, POPULAR CULTURES is a scholarly, academic conference which runs in conjunction with HawaiiCon (September 13-16, 2018) at the Mauna Lani Bay Hotel &

A one-day symposium organised by The Centre for Applied History and the Department of English, Macquarie University, Sydney on Friday, 7 September 2018 “The past is a foreign country: they do things differently there.” This famous opening sentence from L.P. Hartley’s The Go-Between (1953) provokes questions of how the “pastness” of the past is remembered, recuperated and represented, especially in this postmodern age where the

Nationalism has been a defining feature of American history, politics, and international relations. From the Declaration of Independence and the Four Freedoms of Franklin D. Roosevelt, through the “shining city upon a hill,” the “melting pot,” “affluent society,” and consumerism, the United States has created an exceptional, expansive, and open image of itself as the “global nation” founded on a set of seemingly universal principles.

CONFERENCE – Vulgarity in literature and the visual arts of the English-speaking world Paris Sorbonne University June 2, 2018 Deadline for abstract submissions: March 19, 2018. Conference organised by the doctoral student research group OVALE – part of the VALE research group, EA4085, Sorbonne University.

When he saw this Tom was so full of himself that he had to share the pleasure with somebody, so he turned to a woman sitting across the aisle. “There it is, missus.” Surprised, the woman looked across him at him. “You what, love?” Tom nodded towards the panorama through the front window. “The North.” The woman looked, saw nothing, then observing that they were alone thought it best to humour him. “Yes,