Viewing practices in the age of second screens Watching television has always been a social activity. Recently, audience practices have been changing with the introduction of new forms of media technologies such as smartphones and tablet computers. Audience members have the option to log onto the Internet anytime and anyplace – even while watching television.
What do the following programmes have in common?
As this goes to press (can we say that about online materials?), series four of Line of Duty is about to commence transmission in its new Sunday evening slot. I must admit I was slow coming to this particular party; when I saw the first series being advertised in a Radio Times feature back in 2012 my response was along the lines of ‘Crivens!
When I moved from the UK to Ireland in 2015/16 my transition in terms of the availability of television was relatively easy. Given that many of the same channels, subscription packages and streaming services span both the UK and Ireland, it felt more that my television viewing was enhanced by the re-introduction of Irish terrestrial broadcast channels such as RTE 1 &
6-8 September 2017 University of Hertfordshire, School of Creative Arts, College Lane, Hatfield, Hertfordshire, AL10 9AB Deadline for proposals EXTENDED:
Having recently returned to work after several weeks off work because of anxiety and clinical depression, it seems appropriate to write about a ‘trending’ topic: mental health, mental illness, its representations in popular media, and how all of these affect staff and students in universities. I am referring here to my own experience working in a UK institution of HE but I’m sure some aspects of the situation apply elsewhere.
It was a bold scheduling move on the part of ITV, the UK’s main commercial television channel. Shifting the nightly news programme to make way for Britain’s latest attempt at a US-style late night talk show was always going to be risky.
I finally got around to watching the new version of Roots (if you haven’t seen it yet, episodes 2-4 are still available on the IPlayer). The series, even in its new version, still feels monumental: it evidences just how rare it still is to see history told from any other point of view than that of a white, heterosexual man. Unfortunately, despite this feeling of observing television history, I also found myself being quite disappointed.
Forgive me if I am wrong, but I had thought that Higher Education was for adults, albeit young ones. On the pages of CSTonline we have, from time to time, talked about the problem of teaching TV Studies at University.
University of Westminster, London, United Kingdom 23 June 2017 This one-day conference seeks to explore representations of the body as strange, shameful, wrong, impaired, wounded, scarred, disabled, lacking, different or ‘other’ in contemporary media.
Guest Editor: Alfred L. Martin, Jr. University of Colorado Denver Alfred.Martin@UCDenver.edu DEADLINE: SEPTEMBER 1, 2017 PROPOSED PUBLICATION DATE: Fall/Winter 2018 Production studies has often failed to include sexuality and queerness in its research agenda.