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Deconstructing the Zombie: Cultural and Ideological Approaches We would like to remind you that next December 15, 2017 will finish the reception of chapter proposals for the academic book we are currently editing, entitled Deconstructing the Zombie: Cultural and Ideological Approaches . We would like to show our gratitude to the international academic community for the positive reception of the project, having received proposals from

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In the wake of a successful multidisciplinary and international conference on the intersections between popular culture and notions of place held at Erasmus University Rotterdam (5-7th of April 2017) and initial interest from a reputable academic publisher, contributions are being welcomed for an edited volume entitled: Locating Imagination. Popular Culture, Tourism &

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Editors: Dr. Liora Elias (University of Minnesota, USA); Dr. Raechel Tiffe (Independent Scholar) Info for abstracts: Deadline September 29th; 250 word abstract – include name, title and affiliation Project: The last decade has brought changes for transgender people both on and off television.

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As editors of a collection titled The Art of Artertainment: Nobrow, American Style , we warmly invite articles that focus on all aspects of American culture, such as literature, television, cinema, music, painting, material culture, photography, theater, and all other that are influenced by the crossovers of highbrow with lowbrow.

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Call for Papers – Special Issue of Science Fiction Film and Television Guest Editors: Lorrie Palmer and Lisa Purse “When the Astronaut is a Woman: Beyond the Frontier in Film and Television” With the release of Hidden Figures (Melfi, 2016), public perception of the iconic era of the space race was reconfigured.

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The editor seeks scholarly essays that address some aspect of HBO’s television series The Leftovers (2014-2017) and/or its source text, Tom Perrotta’s novel of the same title (2011) . Perrotta co-produced the series with show runner David Lindelof ( Lost ). Both novel and series are set three years after the “Sudden Departure” of 2% of the world’s population.

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The CW network offers a compelling coming of age story reflective of its changing demographic. In 2006, the network was launched as a joint venture of CBS and Warner Bros. Entertainment and next generation to The WB and UPN (1995-2006), which followed Fox’s success and shift in television broadcasting away from the Big Three (ABC, CBS, and NBC) and toward young viewers.

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We seek proposals for a small number of original essays to include in Hands On History (eds. John Ellis and Nick Hall), an edited collection focusing on practical and embodied approaches to the history of media technology. The collection explores the relevance of the new methodology of hands on history to the study of media.

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Donald Trump’s now infamous phrase ‘such a nasty woman’, uttered about his then rival Hillary Rodham Clinton in the 2016 U.S. presidential debates, was rudely used to patronise and belittle Clinton, who is known for being a strong, independent (and feminist) politician. In reality, Trump is not the only figure to characterise today’s women in this manner.