CfP URL: https://www.tmgonline.nl/announcement/#cfpmhen Contemporary research predominantly conceives of ‘new media’—i.e., media worthy of scholarly attention—as digital media and computer technologies (Peters, 2009; Borah, 2017). Media historical scholarship has responded to this in various ways.

A BRITISH SOCIETY OF AESTHETICS CONFERENCE   KEYNOTE SPEAKERS Jason Mittell (Middlebury College) Iris Vidmar Jovanović (University of Rijeka) The Aesthetics Research Centre at the University of Kent is delighted to invite paper proposals for ‘Television Aesthetics: Now What?’ (7-8 July 2022), a conference organised with generous funding from the British Society of Aesthetics.

“Materialism,” “materials,” “materiality,” “matter”: for scholars in screen and media studies, is there anything these terms can’t do? They shape our common critical vernacular, from references to “source material” to discussion of “subject matter.” They also sustain a range of approaches to screen media—from cultural materialist frameworks (Garnham; Williams) to theories of the cinematic apparatus (Baudry; Hanich; Pedulla; Straw;

Channel 4’s first programmes were broadcast on 2 November 1982, 40 years ago. Royal Holloway University of London’s School of Performance and Digital Arts, and Centre for the History of Television Culture and Production are planning a conference for 23 and 24 September 2020 to assess Channel 4 on its 40 ^th birthday.

We invite proposals for 20-minute papers and 80-minute panels to be presented at the sixth Fear 2000 conference, Fear 2000: Horror Undying . Hosted by staff and postgraduate students in the Centre for Culture, Media and Society and the Department of Media Arts and Communication at Sheffield Hallam University, this online conference will explore connections between twenty-first century horror and the genre’s history.

In his book Animals on Television (2017), Brett Mills states that “representations of animals often function to highlight cultural understandings about what it is to be human.” Nonhuman animals have been unwilling objects of the human gaze: humans have been exploiting animals (real and imagined) on the basis, and the attendant continued perpetuation, of self-assigned human superiority and centrality.

Application period is extended for the 2022 CNRS Thematic School “Moral and Social Issues in Television Series,” organized by the ISJPS (UMR 8103 CNRS/Paris 1 Panthéon-Sorbonne), with the support of the ERC DEMOSERIES and in partnership with the Institut ACTE (EA 7539/Paris 1 Panthéon-Sorbonne), La Fémis, and the University Gustave Eiffel.

Please note there is the option to present in person or virtually. The International Vampire Film and Arts Festival and University of South Wales present The 6 ^th Vampire Academic Conference ‘Vampires Through the Ages’ 15 ^th -17 ^th June 2022, Insole Court Mansion, Cardiff, Wales.

We are seeking proposals for an edited collection tentatively titled Television Comedy & Cultural Crisis. Chapters should focus on a specific television series, and address how that series engages with the discourse of a particular cultural crisis through comedy.

Autumn 2022 marks the centenary of the BBC. From almost the very start, women worked in many capacities including behind the scenes, making programmes and speaking on air. This conference will explore how women across the world were ‘addressing the nation’ and other political and social communities. Not just as broadcasters but also, for example, as activists, actors, journalists, writers, cartoonists, orators, storytellers and public figures.