Call for chapter proposals, working title: “Football Politics and Cultural Production in Africa: Issues and Discourses”. Deadline: April 30, 2024. Editor: Dr. Floribert Patrick C. Endong – University of Dschang, Cameroon Concept Notes In the popular imaginary, sports and politics do not mix.

Edited by Cortland Rankin (Bowling Green State University) and Brady Fletcher (University of Rochester) The portmanteau “warscape” that forms the title of this edited volume suggests a complex linkage between war, often thought of in purely anthropocentric terms, and the physical environment. On one hand, warfare is inescapably shaped by the environmental contexts in which it occurs.

Extended and revised call for chapters on select FX Channel original TV series are sought for an edited book collection.  In a similar vein as The Essential HBO Reader (2008) , this scholarly collection will serve as a valuable resource for TV scholars and educators on FX’s history and its most critically acclaimed, noteworthy series.

Chapter proposals for edited collection #TrueCrime: Digital Culture, Ethics and True Crime Audiences Proposals due by Thursday 1st February 2024. The hashtag #truecrime currently has 50.7 billion views on TikTok and 1.3 million posts on Instagram. Reddit’s ‘True Crime Forum’ boasts over 2.6 million ‘detectives’, and the most-watched true crime videos on YouTube achieve in the region of 30 million views.

Call for Abstracts/Proposals for Essays for an Edited Collection SCREEN STORYTELLERS: The Works of Jon Favreau Edited by Guy Nicolucci This edited volume on the works of Jon Favreau will be the fourth book in a new series to be published by Bloomsbury Academic.

This edited volume on Sylvester Stallone will be a contribution to a new series of ‘Screen  Storytelling’ texts published by Bloomsbury Academic. The SCREEN STORYTELLING series is designed for students, professors, and enthusiastic consumers of film, television and new media who seek information about contemporary and historically significant screenwriters that is both accessible and critically rigorous.

The Institute for Multidisciplinary Research in Art (ICMA) and the Faculty of Visual Arts and Design at George Enescu National University of Arts (UNAGE) are pleased to invite submissions of articles for publication in the Beyond Biopolitics: Visual Digital Culture and the 21st Century Disruptive Events volume.

Edited by Irena Jurković, Marko Lukić and Tijana Parezanović Urban myths and legends continuously serve as a source of fascination and creative inspiration in anglophone cultures, especially in the context of horror genre, within which they have a specific way of articulating collective fears and fascination with the unknown.

The proposed book will consider how filmmakers of colour (predominantly, but not only Black) have explored white societies, cultures and practices. It will take as its case studies films and television series that treat whiteness, in all its complexities, not as an unmarked and naturalised position from which to speak, but as an object of inquiry and sustained scrutiny.

Over the past few decades we have seen a sharp rise in the number of central female characters in TV series, offering a wide palette of complex female identities, characters following very diverse narrative journeys.