ITV recently broadcast Goodbye Granadaland , a 90 minute valedictory celebration of the output of Granada’s studios in central Manchester ahead of its forthcoming relocation to the nearby Salford Media City complex.
The horror that the residents, firefighters and loved ones experienced as London’s Grenfell Tower burned is almost unspeakable. Maybe that’s why so much of the coverage was just images. As details emerge about the lack of support and attention to warnings, the event and its toll is also unforgivable.
What Students Want to Write About (Final Project) I have been absent from CST for too long. The reason for my absence has been entirely due to my commitment to work and students undergoing their ‘Final Year Project’. In January I was given the honour and task of guiding 150 BATAR (BA Television and Radio) final-year students through their last, and arguably most important, Theory Essay.
English-language television comedy is circulating transnationally more than ever before, as Americans watch the Irish comedy Moone Boy on Hulu and British comedy panel shows like Have I Got News For You on YouTube; Netflix brings the BBC’s Miranda and RTE imports CBS’s 2 Broke Girls to Irish shores; the most popular sitcom on British television, Mrs. Brown’s Boys , is created by an Irish performer;
Friday 10 November 2017 – Newcastle University, Newcastle upon Tyne Since its first programmes aired in 1984, Canal+ has played a role in shaping not just the paysage audiovisuel français but also French society, culture, politics and economics in many significant ways.
Music video program Rage made its debut on ABC TV 30 years ago this week, on Friday April 17 1987. At the time of its debut Rage was one of five similar music video programs on Australian TV including Video Hits and a local version of MTV. As the others slowly died, morphed or were replaced, Rage has continued with an unwavering commitment to giving Australian audiences access to the weird and wonderful world of music videos.
I blogged last year for CSTonline about how shared conceptions of childhood facilitated links between television institutions and audiences across Europe, in case of the children’s documentary series If You Were Me (BBC 1971-75). This blog follows up with some examples of how networks of borrowing and collaboration around Europe underpinned children’s animation programmes from the 1960s to the 1980s.
2017 UK-China Media and Cultural Studies Association Annual Conference The television industry in China has experienced a process of marketisation, diversification, de-ideologisation, and entertainmentisation ever since media reforms of the late 1970s.
About two years ago, at a dinner party, with my husband to my left, I was surprised when I turned to my right to find Nancy Ford, the woman responsible for getting me my first job on a major network television soap opera. I hadn’t seen Nancy in more than 25 years.
The Media Studies Commission of the International Federation of Television Archives announces its forthcoming international seminar to take place in Paris, on March 20th, 2017. The one-day seminar is dedicated to the media coverage of different political and social events that took place in 1968 across the globe.
