At some point during the first episode of Judd Apatow’s new Netflix series Love – co-written and co-produced with Paul Rust and Lesley Arfin – the show lost me: or rather, to be more precise, it irritated me, because in fact, it didn’t lose me at all.
It might still seem strange, after all these years, to say that Horace and Pete is television, since it is not available, at the moment, from any network, cable provider or software application. To see it one has to pay for each episode and download it from Louis C. K.’s website. But it is clearly a television show.
I passed my viva! Hurrah! Good, now that’s out of the way, let’s talk about Channel 4 Comedy commission Catastrophe , which is currently airing its second series, less than a year after its first went out in January of 2015. And let’s also get something else out of the way: the total agreement I am in with the majority of TV critics about its being utterly brilliant. Good. That’s done too.
Sometimes, things coincide to throw a particular interesting light on an issue that needs raising. This week, for me, these things were the continued discussion in Europe (including the UK) about the sex attacks in Cologne on New Year’s Eve, an article on the hidden rise of violence against women and, the return of Tracey Ullman’s Show.
Graduating from the Juilliard School as recently as 2009, Adam Driver is currently experiencing a seminal phase of his career with his mass exposure to a worldwide audience via Star Wars: The Force Awakens (J. J. Abrams, 2015). His breakthrough part has undoubtedly been Adam Sackler, ‘the sexually debased actor-carpenter-weirdo’ in Girls (HBO, 2012-present); a part for which he has
FOX’s horror-comedy series Scream Queens is the latest addition to the canon of Ryan Murphy and Co.’s anthology television series, alongside FX’s American Horror Story (2011-present), and the upcoming American Crime Story (2016). Scream Queens, named after the sobriquet for a female horror icon, is a hyper-stylised, retro-pastiche of horror and slasher cinema from the 1970s and 1980s.
I’ll always remember my initial reaction the first time I watched Absolutely Fabulous (BBC, 1992-2012). Edina Monsoon (played by co-creator Jennifer Saunders) and Patsy Stone (played by former model and co-star Joanna Lumley) appeared to be the rudest, crudest and strangest women I ever saw on television.
On July 18, 2015, Lena Dunham shared the following diagnosis for the title character from Daria (1997-2002), MTV’s cult animated series, with her two million Instagram followers: ‘I love Daria just as much as the next child of the 90s but I am also concerned not enough of us realized she was rude and almost definitely had clinical depression/could have benefitted from therapy and maybe some medication.
The current U.S. television season has seen the introduction of two new network sitcoms with the same basic premise: Fox’s Dads and CBS’s The Millers both revolve around retired parents who, due to a change in their own circumstances, move in with their grown-up children – a situation that results in constant intergenerational conflict.
At a time when a growing number of older persons in the United States are living with their adult children (between 2000 and 2011, this figure rose from 2.2 million to 4.6 million [1] ), the U.S. broadcast networks Fox and CBS have each launched a new situation comedy about retired parents invading their children’s homes.
