A Gothic-Without-Borders Conference in March 2021, fully online, hosted by the Department of World Languages and Literatures (WLL) at Simon Fraser University (SFU), Vancouver, Canada, coordinated by the SFU Center for Educational Excellence (CEE), and co-sponsored by the International Gothic Association (IGA) and others Plenary Speakers Linnie Blake, Manchester Metropolitan University, UK Mark Deggan,
Collection of new essays centering on Donald Glover’s TV show “Atlanta” Recent years have witnessed an explosion in both the volume and scope of scholarship on satirical work produced by African American artists in various media.
The current media ecology places more emphasis than ever on the role of nonfiction media in the creation and obfuscation of “truth.” Documentary theory has probed the dialectical relationship between the documentary impulse to represent reality and the sometimes-argued impossibility of media to do just that (Barnouw 1993; Bruzzi 2000; Nichols 2001;
FP 20 Years Later: Looking Back at 9/11 International Conference October, 7-8, 2021 University of Toulouse Jean Jaurès, France Twenty years after the 9/11 attacks, the Universities of Toulouse and Montpellier in the South of France are joining forces to organize an international interdisciplinary conference on these events.
Unmade Film and Television is a new book series with Intellect that explores unmade, unseen, and unreleased film and television from across the globe and from all time periods. The study of unmade film and television remains neglected and fragmented within scholarly discourse.
Publisher: Brill Publishers (series, European Perspectives on the United States) Working Title: The Platinum Age of American Television, 2000 – 2010 Editor: Ben Alexander Contact: Benalexander@fas.harvard.edu I am collecting chapter proposals that broadly address, The Platinum Age of American Television, 2000 – 2010.
Alphaville: Journal of Film and Screen Media http://www.alphavillejournal.com CFP: Issue 24: Fostering Diversity on and off ScreenAn Australian Screen Production, Education &
Historical fiction film and television productions present a life that today’s viewers cannot experience, offering a unique escape.
UPDATED Deadline for submission of abstracts: July 31, 2020 A decade ago, Beth Coleman and Wendy Hui Kyong Chun introduced the concept of race and/as technology.* Turning to Heidegger’s notion of techne as prosthesis or skill, Coleman and Chun imagine race itself as a technology that can be leveraged, a tool for navigating systems of power.
The Journal of Screenwriting is calling for articles for a special issue on emerging screenwriting styles, modes, and languages, to be published in November 2022.
