organized in partnership with FilmForum 2023 – XXX International Film and Media Studies Conference The 29th edition of Visible Evidence (web: https://www.visibleevidence.org/ ), the annual international conference on documentary film and media, is organized in partnership with FilmForum 2023, the 30th edition of Udine’s International Film and Media Studies Conference and the 20th of the MAGIS International Film and Media Studies Spring

The zombie as an allegory for cultural, social, and scientific analysis spans almost every discipline including humanities, biology, mathematics, anthropology, economics, and political science. This range of use for the zombie narrative is a clear indication of its adaptability and viability as a distinct framework for critical theory.

This event will take place face-to-face Keynote presentations from Dr Beth Johnson (Leeds) | Dr Laura Mayne (Hull) | Prof Sarah Street (Bristol) **Proposal deadline: **Friday 24 February 2023 **Send proposals to: **britishfilmandtvnorthumbria@gmail.com **Send queries to: **Dr Johnny Walker (johnny.walker@northumbria.ac.uk) Northumbria University’s

**Call for Conference Papers: The Off-Screen, Film and Media Studies, Georgia State University, Atlanta ** February 23-24, 2023 | In-person/Virtual Hosted by the GSU FMT Graduate Theory Study Group Submission Deadline: December 20, 2022 **Keynote Speakers (Appearing in person): ** Sulgi Lie (Visiting Professor of Art Theory and Aesthetics, Berlin University of the Arts) Daniel Morgan (Chair &

Fig. 1: This is our BBC. Source: https://www.bbc.co.uk/programmes/p0bln3nw This week is the 100th anniversary of the BBC, and the schedules offer various programmes that celebrate it, picking moments, objects and people from across the institution’s history. Rather than giving another selection of important bits of the BBC’s story, I decided this blog should be about some of my own relationships with BBC programmes and people.

I am writing this towards the end of Week 7, which means that by the time it’s online most of us will be around two-thirds of the way through our first term/semester/trimester/block, and entering the home stretch before that much-needed Yule break. I don’t know about you, but I am really rather relishing the return to face-to-face teaching.

Association of Adaptation Studies Conference 7-9 June 2023, School of EDACS, University of Birmingham, Birmingham, United Kingdom In the last few years, there has been a number of discussions around authenticity in our cultural narratives: who can play what role? Who can write a particular story? These have come from both audiences and the larger film and literature industry, underpinned by the idea of authenticity.

FUTURE [of] ARCHIVES Université du Québec à Montréal, Canada 20-22 June 2023 (in-person) **Deadline for submissions (20-minute presentations, panels of three 20-minute papers, or practice-based research/workshops): 16 January 2023.

**Doing Women’s Film and Television History VI: Changing Streams and Channels ** 14 – 16 June 2023 University of Sussex, Brighton, UK Doing Women’s Film and Television History is back in 2023! Join us at the University of Sussex for the 6th edition of this leading international conference on women’s film and television history.

Website: https://www.baftss.org/conference-2023.html The 2023 annual conference, taking place at the site of the inaugural BAFTSS conference of 2013 at the University of Lincoln, takes as its theme ‘Sustainable Futures: Ethics, Responsibility and Care in Film, Television, Screen Studies and Practices’. Recent years have seen academics and practitioners grapple with the ethical dimensions of film, television and screen studies and of screen

CfP: edited collection on Utopian Fictions Essays Dismantling Popular Myths about Utopia and Dystopia in Literature, Film, and Television Utopia has an image problem. In today’s political discourse, utopianism is often read in two competing directions.