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2019 was a watershed moment for queer horror visibility, particularly in cinema: from Shudder’s announcement of their upcoming queer horror documentary to Rue Morgue ’s first-ever ‘Queer Fear’ special issue, and from the world’s largest study about horror-loving queers to the rapid proliferation of queer horror podcasts.

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Guest Editors: Associate Professor Gareth Schott (University of Waikato), Dr Margaret Gibson (Griffith University), and Dr Clarissa Carden (Griffith University). Emotionally charged depictions of death play an important role in much contemporary media directed toward teen and young adult audiences.

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Two broadly anthropocene concerns—the ‘human’ condition along with the condition of this human planet, Earth—bear on all discursive practices central to contemporary areas of research in humanities, social sciences, and sciences. Both these concerns reconfigure ways in which humans have come to make sense of themselves and of the world which they share with other forms of life.

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At this time of crisis because of the COVID-19 pandemic, our ability to physically touch is severely restricted, in order to protect ourselves and others from illness as well as police intervention. This has resulted in an even bigger shift to digital technologies and online interaction with hashtags such as #togetherapart encouraging more culture and connection on the internet in lieu of in-person events and meet-ups.

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Terry Gilliam is not only popular for being part of the Monty Python-troup but also for the movies he has directed in his own style, such as Time Bandits (1981), Brazil (1985), The Fisher King (1991), 12 Monkeys (1995) and The Imaginarium of Doctor Parnassus (2009). From dystopian to fantastic and magical settings, and worlds often populated by bizarre figures, Gilliam’s movies are united by their

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Adaptations have played a significant role throughout the history of Nordic cinema, from Victor Sjöström’s reverential silent adaptations to Aki Kaurismäki’s quirky take on world literature. To this day, adaptations remain of utmost importance to Nordic film and television, as the multi-media phenomenon of Nordic noir conclusively establishes.

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Source: https://derroth.com/2019/08/28/cfp-moral-communication/ Call for papers to the Luhmann Conference 2020 on “ Moral communication. Observed with social systems theory” Place: Inter-University Centre (IUC), Dubrovnik, Croatia Address: Don Frana Bulicá 4, 20000 Dubrovnik, Croatia Dates: 15-18 September 2020 The

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Edited by Christina Adamou and Sotiris Petridis Deadline for proposals: 15 May 2020 Notification of Acceptance: by 01 June 2020 Deadline for chapters: 01 October 2020 Τelevision content has expanded to different and new ways of distribution and screening enabled by the evolution of technology and the advent of new media.