Proposals are invited for papers at Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television, a two day international conference, 16 – 17 September 2020, at De Montfort University, Leicester. Keynote speakers: Dr Shelley Cobb (University of Southampton), Professor Andrew Spicer (University of the West of England), and others to follow.
Extrapolating Nostalgia: Special issue of Science Fiction Studies We invite papers on the role of nostalgia as a structure of feeling that animates speculative, utopian, and (post)apocalyptic texts across media. Although there has been increasing critical attention to the role of memory in these genres, nostalgia is a neglected topic.
Call for Papers Special Edition of Holocaust Studies: Culture and History: ‘Holocaust Memory and Education in the Digital Age’ Digital media are playing an increasing role in Holocaust memory and education.
CALL FOR PAPERS: New Frontiers? Channel 4’s Move out of London A One Day International Conference, Watershed Cultural Cinema, Bristol 11 March 2020 Hosted by the Moving Image Research Group, University of the West of England Bristol andthe BAFTSS Screen Industries Special Interest Group
An International Conference organised by ERC BodyCapital &
Call for Papers: The Intermediality of the Screen: Mediation, Performance, Immersion Editors: Dr. Ian Robinson (Queen’s University) & Dr. Shana MacDonald (University of Waterloo) This edited collection aims to catalog, critique, and offer new theoretical and methodological accounts of the intermediality of performance culture and its intersections with screen technologies in the 21 st century.
Seeking submissions for The American West of David Lynch’s Filmography and in Twin Peaks: Essays on Regional Identity, Narratives, and History. This book will be with McFarland Books. The films of David Lynch and transmedia series Twin Peaks with author Mark Frost have long held a reputation for innovation in film, television, and unconventional storytelling on screen and in novel.
Editors: Cathrin Bengesser, Pia Majbritt Jensen and Kim Toft Hansen. Although a widely popular genre for over a century, crime narratives are experiencing an unprecedented popularity all across Europe and across different media at the moment.
The special issue of Filmicon “Strategies of the Documentary” seeks to address the diverse aesthetic, historical, medial, and theoretical connections between moving images and all possible aspects of the ‘documentary.’ In light of the many facets of this key term, the issue does not confine itself to practices or traditions of documentary cinema in Greece.
Story Work for a Just Future Exploring Diverse Experiences and Methods within an International Community of Practice
