The 6th edition of the conference Narrative, Media and Cognition aims to combine narrative, as an artistic and social phenomenon, with the artistic and technical media that convey it and with the cognition that produces it and gives it meaning.
Workshop: 100 Years of Women at the BBC Friday 7 May 2021 1pm – 5.30pm (BST), Online Co-sponsored by Critical Studies in Television and Edge Hill University Institute for Social Responsibility Characterised from early in its life as ‘Auntie’, the BBC itself has been gendered female in the cultural consciousness.
The 6th edition of the conference Narrative, Media and Cognition aims to combine narrative, as an artistic and social phenomenon, with the artistic and technical media that convey it and with the cognition that produces it and gives it meaning.
In Italy, as in a number of other European countries, American films and television programs undergo the process of dubbing. In the United States, however, Italian films and television programs are almost exclusively subtitled, and very rarely dubbed. Although American products have historically been much more successful in Italy than their Italian counterparts in the United States, things are slowly starting to change.
Online Media and History Seminar: MEDIA IN WORLD WAR TWO Monday, 19 April 2021, 16.30-18.00 (Central European Time) Are you working on World War Two cinema or radio? Are you working on other audio-visual media from 1939 to 1945 for an essay, a thesis or a PhD?
Middelburg, The Netherlands, 10-11 June 2021 The Roosevelt Institute for American Studies (RIAS) is a leading research centre and graduate school, partnered with Leiden University, dedicated to the study of American history, politics, and society. Since 2003, the Institute has organized regular seminars for doctoral students pursuing research in its areas of interest. The RIAS will host its next PhD seminar on 10-11 June 2021.
The topic of this blog, which concerns mediations of a particular species of dinosaur across factual television, museum and visitor reception contexts, might seem a little distant from current debates that are taking place within television studies.
Editor(s): Rosario Lacalle (Autonomous University of Barcelona). Juan Piñón (New York University) Javier Mateos-Pérez (Complutense University of Madrid) Television fiction constitutes one of the basic pillars of television consumption.
‘Television! Teacher, mother, secret lover.’ — Homer Simpson The ubiquity of television has been written about extensively in both scholarship and popular writing; ever since the first commercial sets began replacing the hearth as the centrepiece of any American living area, television has dominated how we write and think about the United States.
Guest editors: dr. Manuel Menke (University of Copenhagen) & dr. Berber Hagedoorn (University of Groningen) For a special section on Digital Memory and Populism in the International Journal of Communication (IJoC), we invite contributions addressing the use of digital memory by populists, their supporters, and their opponents online.
There used to be a time when the only place to learn how to write for Danish film and television was the National Film School of Denmark (NFSD) that currently accepts six screenwriters for the 4-year programme every second year.
