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Published
Author Lorna Jowett

In conversation with a colleague from English Literature recently, a question was posed that inspired this blog: ‘Is it ethical to charge students £9,000 in fees on the basis that a degree will get them a better job?’ I’m not sure I can answer either yes or no to this question, but it certainly provoked me to think about the various factors and contradictions at play for degrees in subjects like media, film and television, from either the

Published
Author Toby Miller

I’ve been thinking about childish memories. Just as I now turn to obituaries before sports in my morning paper, I frequently think in childish terms. ‘Childish memories’ signifies something pejorative, as opposed to ‘childhood memories,’ right? It means being bellicose, prone to tantrums—selfish and controlling. But it is of course also and equally about childhood. So what do I remember about television, and why might it interest you?

Published
Author Toby Miller

I work in four countries and for the same number of colleges. Much of my time involves garnering frequent-polluter miles, by bus, air, rail, auto, and air-conditioning. As I write, I’m finishing an assignment at the Universidad del Norte in Barranquilla, where a program in Comunicación Social y Periodismo (Social Communication and Journalism) has been located for the last two decades.

Published
Author Christine Geraghty

In the month before the UK General Election on 7 th May, the BFI Mediatheques put together a selection of television programmes which featured elections and voting. We are used to examining how elections are handled on television but unusually this selection included drama and I found myself watching Jack Rosenthal ‘s Mr.Ellis Versus The People from 1974, a year in which there were indeed two general elections.

Published
Author E. Charlotte Stevens

Steven Universe , a Cartoon Network series which premièred in 2013, is about a boy named Steven who lives with a trio of female warrior/superheroes from space. It came to my attention via Twitter friends’ enthusiasm for the many, diverse, and dimensional female characters in the series and the pleasures of its (semi-)serialised narrative.