I have always had a fondness for things considered marginal in linguistics. The tide may be turning for at least some marginalia: work on ideophones is clearly on the rise, and initiatives such as Martina Wiltschko’s Eh lab at UBC and a new nonlexical vocalizations project at Linköping University show there is significant interest in this area.
I have always had a fondness for things considered marginal in linguistics. The tide may be turning for at least some marginalia: work on ideophones is clearly on the rise, and initiatives such as Martina Wiltschko’s Eh lab at UBC and a new nonlexical vocalizations project at Linköping University show there is significant interest in this area. Part I from my notes on a workshop on ‘Ideophones and non-lexical vocalizations’.
Words evolve not as blobs of ink on paper but in face to face interaction. The nature of language as fundamentally interactive and multimodal is shown by the study of ideophones, vivid sensory words that thrive in conversations around the world. The ways in which these “Lautbilder” enable precise communication about sensory knowledge has now for the first time been studied in detail.
Magritte’s best known work by far is of course his drawing of a pipe with the text Ceci n’est pas une pipe . He made several versions over the years, but the work originated in 1928 or 1929. The title Magritte gave to this painting is La trahison des images — the treachery of images.
Ideophones, like so many things in life, are easy to identify but hard to define. Many researchers have grumbled about the shortcomings of Doke’s descriptive characterization of ideophones (see discussion here), but few have attempted to formulate an alternative. For better or worse, I did, 1 but it took me a few iterations to arrive at something that I felt worked well enough to be useful in cross-linguistic research.
Sigismund Wilhelm Koelle is one of the founding fathers of African linguistics, and 1854 was one of his more productive years: he published the first large-scale comparison of some 200 African languages (the famed Polyglotta Africana), but also a corpus of Kanuri folklore, a grammar of Vai, and a grammar of Kanuri.
Zotero takes it name from an Albanian verb minus some morphology.
