I just gave an answer to this question on Quora, and it occurred to me that I ought to also give it a permanent home here.

I imagine that by now, everyone who reads this blog is familiar with Mark Witton’s painting of a giant azhdarchid pterosaur alongside a big giraffe.

Following on from his recent, and extensively discussed, offer to host SVPCA 2017, and a plan for the future, Richard Butler is now circulating his update, soliciting volunteers for the committee that virtually everyone agreed was a good idea. Dear SVPCA/SPPC friends and colleagues, We have identified you as a member of the SVPCA/SPPC community through having attended the meeting within the last five years.

In my recent preprint on the incompleteness and distortion of sauropod neck specimens, I discuss three well-known sauropod specimens in detail, and show that they are not as well known as we think they are. One of them is the Giraffatitan brancai lectotype MB.R.2181 (more widely known by its older designation HMN SII), the specimen that provides the bulk of the mighty mounted skeleton in Berlin.

Since I posted my preprint “Almost all known sauropod necks are incomplete and distorted” and asked in the comments for people to let me know if I missed any good necks, the candidates have been absolutely rolling in: The Kaatedocus siberi holotype SMA 0004 (thanks to Oliver Demuth for pointing this out) The Futalognkosaurus dukei holotype MUCPv-323 (thanks to Matt Lamanna) The referred Rapetosaurus

Well, I’m a moron again.

I have a new preprint up at PeerJ (Taylor 2015), and have also submitted it simultaneously for peer review.

Preprints are in the air! A few weeks ago, Stephen Curry had a piece about them in the Guardian (Peer review, preprints and the speed of science) and pterosaur palaeontologist Liz Martin published Preprints in science on her blog Musings of Clumsy Palaeontologist . The latter in particular has spawned a prolific and fascinating comment stream.

Folks, For a forthcoming minor paper, I need a good-quality scan of Hatcher’s 1901 monograph on Diplodocus carnegii — specifically, plate VI, the photographs of the cervicals in posterior view.

We’re delighted to host this guest-blog on behalf of Richard Butler, Senior Research Fellow at the University of Birmingham, and guru of basal ornithischians. (Note that Matt and I don’t necessarily endorse or agree with everything Richard says; but we’re pleased to provide a forum for discussion.) Dear friends and colleagues within the SVPCA community; I am posting here courtesy of Mike and Matt with two objectives.

Here’s the last post (at least for now) in the Fighting Apatosaur Art series — and we’re back to Brian Engh, who we started with. Early in the process of putting together artwork to illustrate our apatosaur neck combat hypothesis, Brian tried out a whole bunch of outlandish concepts. Here are two that he showed us, but which were too speculative to push forward with.