I’d hoped that we’d see a flood of BRONTOSMASH-themed artwork, but that’s not quite happened. We’ve seen a trickle, though, and that’s still exciting. Here are the ones I know about. If anyone knows of more, please let me know and I will update this post.

I imagine that by now, everyone who reads this blog is familiar with Mark Witton’s painting of a giant azhdarchid pterosaur alongside a big giraffe.

Here’s the last post (at least for now) in the Fighting Apatosaur Art series — and we’re back to Brian Engh, who we started with. Early in the process of putting together artwork to illustrate our apatosaur neck combat hypothesis, Brian tried out a whole bunch of outlandish concepts. Here are two that he showed us, but which were too speculative to push forward with.

If we accept that the distinctive ventral projections of the gigantic and ventrally displaced cervical ribs of apatosaurs were likely the base of some form of soft-tissue rugosity — such as keratinous horns like those of rhinos — then does it follow that those necks were used in combat as we suggested? Maybe, maybe not. As scientists, we are always open to other hypotheses.

I mentioned last time that, as I sat next to Bob Nicholls in an SVPCA session, I started sketching an apatosaur combat in the hope that my horrible drawing would provoke Bob to do a good one. That worked admirably, which means there is no good reason for me to subject you to my own sketch.

On the morning of Tuesday 1st December, on SVPCA day 1, I gave my talk about apatosaur neck combat. In one of the afternoon sessions, I sat next to Bob Nicholls, and found myself thinking how awesome it would be if he sketched some apato-combat.

Last time, we looked at some of Brian Engh’s preliminary sketches of pieces to illustrate our fighting-apatosaur hypothesis.

In putting together our thoughts on how apatosaurs used their necks, we were motivated by genuine curiosity — which in Matt’s and my case, at least, goes back many years. (We briefly discussed the problem, if only to throw our hands up in despair, in our 2013 neck-anatomy paper.) We didn’t land on the combat hypothesis because it’s cool, but because it’s where the evidence points. That said, it is cool.

We’ve noted that the Taylor et al. SVPCA abstract and talk slides are up now up as part of the SVPCA 2015 PeerJ Collection, so anyone who’s interested has probably taken a look already to see what it was about.

I wanted to get my initial report on the Joni Mitchell conference out quickly. But since posting it, more thoughts have bubbled up through my mind. I’m thinking here mostly about how a humanities conference varies from a science one.