As Dhoest and Mertens (2013) note, when glocalising a text, dialect and accent are key elements of that form of adaptation. Though they were referring to the Flemish version of Ugly Betty, the glocalised telenovela par excellence, accent can be used and/or recognised even outside of glocalised adaptations.

Around about mid-October, I could hear – courtesy of the world wide web – a distant wailing and gnashing of teeth but not of biblical proportions. More the odd e-mail.

A conference I could attend that I didn’t have to work at and was indeed about my topic of interest? Wow! From 25 ^th ­– 27 ^th October 2023 the biennial ECREA Television Section Conference, Redefining Televisuality: Programmes, Practices, Methods was held at the Film University Babelsberg in Potsdam, Germany, relating to John T. Calldwells (1995) concept of televisuality.

As a participant of the conference Redefining Televisuality: Programmes, Practices, Methods at the Film University Babelsberg I attended the panel on ‘Television Ontology’. All the seats in the room were taken. Every presenter only had 15 minutes, so at the end it felt like we had all completed a marathon sprinting. But let me present to you the information that I found most interesting along the way.

Chapter proposals for edited collection #TrueCrime: Digital Culture, Ethics and True Crime Audiences Proposals due by Thursday 1st February 2024. The hashtag #truecrime currently has 50.7 billion views on TikTok and 1.3 million posts on Instagram. Reddit’s ‘True Crime Forum’ boasts over 2.6 million ‘detectives’, and the most-watched true crime videos on YouTube achieve in the region of 30 million views.

This two-day conference aims to re-evaluate the gothic proliferation, duplication, and industrial (over-)reliance on sequelisation that emerged from the 1980s studio system. This conference seeks to open and build upon significant discussions on sequels stemming from existing scholarship (Klein and Palmer, eds.

Terminator @40: Origins and Legacies  An academic conference hosted by The Centre for Film, Television and Screen Studies, Bangor University, Wales  18 & 19 June 2024  The Terminator franchise has left an indelible mark on popular culture.

The Disney, Culture and Society Research Network is pleased to announce its Call for Papers for the Second Annual Disney, Culture & Society Research Network Conference: Disney in a Time of Global Transformation.

The Centre for the History of Television Culture and Production, Royal Holloway, University of London is pleased to announce a TECHNE Collaborative Doctoral Award funded by the Arts and Humanities Research Council. This fully-funded studentship will focus on British television drama and the ‘television film’ in the 1980s and 1990s and will involve a collaboration with BBC History.

Last Thursday, as I left my house to get the train into my office, I glanced at my phone to see a message from my sister. Whilst this event was in itself not unexpected, the contents of the message was. ‘Bad news,’ it started.

From 25 to 27 October 2023, Film University KONRAD WOLF opened its doors for the conference “Redefining Televisuality: Programmes, Practices, Methods”. On the last day of the conference, Friday, 27 October, various TV formats were the focus of discussion. The panel “TV-Formats” gathered leading experts in media studies. Anne Marit Waade, a researcher at Aarhus University, is known for her work on media tourism and landscapes.